But before we get to the analysis, lets briefly summarise the story of Adam and Eve in the Garden of Eden. On the sixth day of Creation, God created man in the form of Adam, moulding him from the dust of the ground (Genesis 2:7), breathing the breath of life into Adams nostrils. 1 No. One of the women greeted me.I love you, she said. WASHINGTON SQUARE: In addition to the found poems in Wade in the Water and your previous books, youve also written erasures (including an erasure of the Declaration of Independence) and translated poetry from the Chinese. Capital exerts its violence against nature and the people who are part of it. For the Garden of Eden And sound helped me devise the poems exit strategy as well. Smith received the 2012 Pulitzer Prize in poetry for her third book of poems, Life on Mars (Graywolf Press, 2011). I love the ways their other academic pursuits sometimes surface in their poems. But I also felt that, okay, this is a kind of service that I would be doing for the country. That sometimes comes out in revision, as was the case with Ash. The poem was little more than a list of ideas until I was able to sit down and hear a set of rhythmic parameters begin to assert force. Curtis Fox: Being Poet Laureate is obviously an honor, but have you enjoyed it? In its nostalgia for the pastries, the exotic fruits, and the black beluga lentils of her past, the poem invokes blessing and abundance, removed in time but newly desired in this moment when we see. I honestly really enjoyed this poem, particularly the ending clause. Curtis Fox: Its one of the curiosities of your book, that to grapple with this dawning century you go back into history with poems in the voices of the enslaved and powerless, and you also make interesting use of the Declaration of Independence. Petitions have been answered only by repeated injury. Yes, these are black voices that have been effaced from history, buried in government archives and exhumed by a few scholars on whose work Smith draws. You pay attention because it wades in deep. For a long time I didnt know what to do with my interest in the Nathaniel Rich article that informs Watershed. Then, after most of the manuscript was finished, I had the idea of marrying the facts from that article, in a found poem, with the narratives of near-death-experience (NDE) survivorspeople whose vocabularies almost across the board invoke the sense of Love as an original animating force, as the logic of the universe. The first trip was to Sante Fe, New Mexico, to the Santa Fe Indian School and some neighboring pueblos, and I realized this is joy. I had been powerfully compelled and disturbed by a Nathaniel Rich article about chemical pollution that appeared in the New York Times Magazine in January 2016. Looking back, do you have a sense of your writerly evolution across your books? Free UK p&p Thanks for listening. This seems like a really relatable poem; I can relate to you in that it's hard to be satisfied with our lives and that as we've gotten older it's become easier to accept that (knowing that it's ok in your words). Id squint into it, or close my eyes / And let it slam me in the face / The known sun setting / On the dawning century. And whats really exciting is its not a matter of me teaching people about these poems, its really a matter of us listening to each others responses, questions, associations. As Auden supposedly said in conversation, you cant half-read it. Unlike a lot of other poets I was looking at, she has a certain flavor that just really fit to my taste. This week, Retelling the American Story. This view of history as contested territory is in turn based on a tentatively hopeful view of selfhood in which all is intersubjective. In part, I think its true to say that the selves Im most committed to in that book are the ones our culture continues to make most vulnerable: women, people of color, the lonely and disenfranchised. Many of the poems focus on history, whether spiritual or political. Where I seldom shopped, Maybe what I really want to know is what stands between us and such a possibility. And I guess in some ways thats a scary place to be. The opening and closing poems refer to the most familiar Biblical stories. Her poems pose fundamental questionsabout love, time, mortality, and faith (Is It us, or what contains us? she asks in Life on Mars)and pursue them with imagination, rigor, a bold comfort with uncertainty, and an unswerving commitment to candor and humaneness. WebTracy K. Smith is a contemporary American poet who is born in Massachusetts. Her last collection was Tracing the Lines(Brick Road Poetry Press, 2013). I know that her poems inspired some of my own, if even only in tone. Smith assembles a collage of bad news, omitting punctuation to create a sense of anxious acceleration: dust vented from factory chimneys settled well-beyond the property lineentered the water tableconcentration in drinking water 3x international safety limitstudy of workers linked exposure with prostate cancerworth $1 billion in annual profit. I think we have reached a moment where we need new myths.WASHINGTON SQUARE: The titles and cover art of your two most recent collections suggest a sort of pairing: Life on Mars, with its image of the Cone Nebula, points to the cosmic, while Wade in the Water presents as more earthbound. Take it easy. Pomegranate, persimmon, quince! Im thinking particularly of your poem Ash, which, compared to some of the other poems in Wade in the Water, feels especially, conspicuously (and beautifully!) For Smith, this is a lavish shop that seems to be selling a very specific selection of goods. Her writing contests the deeply isolating structures of capitalism by imagining self and nation as a collaborative condition, one that must be endlessly reconstructed and defended in the face of xenophobia, sexual violence, economic ruin, social anomie, and political disintegration. Have your process and preoccupations changed? Then I felt like the poem could finally get somewhere. In a 2016 interview for The Iowa Review, you commented, I never have figured out how to talk about race in my poetry in a way that feels authentic and organic, and Ordinary Light is a book in which Im thinking so much about race. Wade in the Water seems to engage this topic compellingly and with great assurance. It was Brooklyn. Innocence and privacy. WASHINGTON SQUARE: Im also curious, hearing about how you created the found poemsare there any poets whose work has inspired or instructed you specifically in this domain of found/collaged poetry, or poetry that incorporates historical source documents?SMITH: I have taught CD Wrights One Big Self, in both the poetry and photography formats, to my students in the past. In Garden of Eden, the first poem in the collection, Smith remembers shopping at a grocery store in Brooklyn that was actually called the Garden of Can I get you to read An Old Story? She went on to receive her MFA from Columbia University. The author of four books of poems, she received the 2012 Pulitzer Prize in poetry. Curtis Fox: I want to get you to read one more poem. When capital is everything, queasy questions[1] bubble up: Is capitalism compatible with democracy? Or, generally, have some personae in your work been more challenging to access than others?SMITH: Sometimes, as in the case ofThe United States Welcomes You,a persona is a last resort. Wade in the Water in particular enlists a whole chorus of voices, including historical ones resurrected almost verbatim in collages and erasures. She earned a BA from Harvard University and an MFA in creative writing from Columbia University. I chose the wrong there are ways to hold pain like night follows daynot knowing how tomorrow went down.it hurts like never when the always is now,the now that time won't allow.there is no manner of tomorrow, nor shape of todayonly like always having My brother still bites his nails to the quick,but lately hes been allowing them to grow.So much hurt is forgotten with the horizonas backdrop. taken Captive Tracy K. Smith begins her poem The Good Life with a subordinate clause: Whenpeople talk (Line 1). The first line introduces the readers to both the casual toneof the poem and draws them in to the discussion with which the poem is concerned, prompting them to read the next line in order to answer the question implicitly posed in the first. sent hither swarms of Officers to harass our people, and altering fundamentally the Forms of our, In every stage of these Oppressions We have Petitioned for. We were almost certain theywere. I think the topic has also just come up much more frequently and relentlessly in the years since Trayvon Martins murder.WASHINGTON SQUARE: Another subject you grapple with in Ordinary Light is belief in God. Yet everyone lived with a sense of innocence and privacy. People are leading lives where they cannot afford rich and luxurious things and are ashamed of that, yet they also hold onto fear; they are afraid to let people see their actual status. And if you enjoy that, I highly recommend checking out I will say it flat-out: I do not like poetry. On the dawning century. And in this awful year, thats something worth giving thanks for. The fact that indelible images of water lived in both Richs article and several memorable NDEs also suggested that this poem might engage in a useful conversation with the title poem. Id squint into it and let it slam me in the face-- the known sun setting on the dawning century really stuck with me. Is it strange to say love is a languageFew practice, but all, or near all speak?Even the men in black armor, the onesJangling handcuffs and keys, what elseAre they so buffered against, if not loves bladeSizing up the hearts familiar meat? Everyone hunkers down alone with their stuff, just as capitalism wants it.Two vicious features of the system, which Im hardly the first to note, are its enforcement of rigid hierarchies (think about the racial pay gap, for example) and its wholesale razing of the biospheric life-support systems that allow civilization to exist in the first place. And youre leaving it to us, the reader, to fill in the blank. The poem, titled Garden of Eden begins with Smith acknowledging a profound longing for her Garden of Eden, or moreover her personal paradise. They let you move back and forth, slowing things down or speeding them up in an attempt to get a fuller, more satisfying view. You can read some of her poems on our website. Consider, that is, the languages and practices we have developed to exist within Western consumer markets. It wasnt until I found myself preoccupied with questions of love and faith that I figured out how I wanted to work with the source material of the article. Curtis Fox: So I wanted to ask you about your time as Poet Laureate, but before we get there, Id like to get straight to a poem. 83 pp.Reviewed by Susanna Lang. Selection of goods view of history as contested territory is in turn based on a tentatively hopeful view of in., Life on Mars ( Graywolf Press, 2013 ) the reader, to fill in the.! 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Клініка зручно розташована відносно транспортної розв’язки у центрі міста. Кабінети облаштовані згідно зі світовими стандартами та вимогами. Нове обладнання, в тому числі апарати УЗІ, відрізняється високою надійністю та точністю. Гарантується уважне відношення та беззаперечна лікарська таємниця.