fantasy magic system generator

Could perhaps some or all of them be elements alongside the classic four? In fact, I suspect it might make more sense than what Chris Winkle says in the original article. You can negotiate with them about services and prices, that is, if they listen to you at all. Then they could connect to the energy of the other brain. Earth magic: Earth magic draws power from the energy of the land itself. Magical creatures all have an innate connection to one of the forces, which they can use in ways dictated by the kind of creature that they are. But those who have returned have never been inside the Tower. Like actually dodge the spell physically? As a general rule, antagonists can use soft magic to solve problems, even though protagonists should only use hard magic. Shapechangers all use either the strong or weak nuclear forces, and telekinetics and poltergeists use gravity. I disagree. If you think of the Sea of Energy as like the actual ocean, than the Planes of Existence can be compared to the different depths, and the deeper you go, the more pressure that exists. Those that survive the process emerge as a member of the Exalted (believed to have been chosen by a higher power) those that dont die screaming, bodies horribly twisted and in extreme cases, even dissolving into silvery, grey goop. Each blob of energy could be bound to the other blob of the same type of energy and it will result in kind of quantum entanglement from real physics everything what happens with on blob will happens with other blob. Others say that this is blasphemy; for a gift of water, if not taken from somewhere, would disrupt the balance, however little, and Mother would never stand for it. Combining powers for a summoning could mean larger creatures could be summoned and a teleportation spell could be able to teleport far more people, or even entire cities. dragon glass can kill them and both weapons were forged by dragon flame. My main question is whether you think the weaving should be specialized; i. e., should I break it up into different types of thread/weaving style/knots? Lets delve further into this topic together. (I wont deal with it here and now, as this reply is getting too long already and you never mentioned it in your comment). Although, to be fair, I do see the magic in everything - nature, science, writing. In the Shadow and Bone series by Leigh Bardugo, all Grisha have to serve the King. Oh, and thanks for the compliments! I like the fact youve got a cool new way people gain magical abilities- FAR FAR FAR to many high fantasy novels just have it be the usual theyre born with it (theres nothing wrong with that way- heck Ive even used that, its simple and the easiest way to have it)- but I love seeing unique ways besides just being born with it. I thought, What if energy isnt conserved after all? Follow her work on hannahyang.com or on Twitter at @hannahxyang. (Storm God = sky domain = bird ? The flickering flame casting irregular patches of shadows against the wall was the evidence. Of course, I wholeheartedly believe that considering each element of your story is the surest way to craft an engaging novel. Magitech To create strange fusions of science and sorcery for your more unusual settings. Eg- How fast you can make the ball move (The heavier the object the slower it moves) However, Im not sure whether adding a new field, force, particle, etc. Now its time to decide why magic cant do anything and everything the spellcaster wants, whenever they want. Lastly, I think the magical structure and logic might not be as fully fleshed out because the focus of of the story is not on that. New ideas in how my magic works have given me plot ideas, but I think Ill need to develop the plot more to refine how my magic system works within it. Old Magic might easily just be a reference to magic used on a more instinctive or subconscious level hence Lilys sacrifice can create a protection for her son, because she wanted with all her heart to keep him protected. Varren slumped into his chair, a curse leaving his lips as he had forgotten to blow out the torch in the hallway. However, set guidelines for how people react to exposure. The knots must be undone, causing the reverse effect as the original magic, and rewoven into the fabric of reality. If youre still reading, thanks for letting me ramble. The best frameworks have limitations inherent to the way they operate. To make an arbitrary assortment of abilities feel like they fit together, he gave them a strong theme. A glove that gradually eats away at their flesh, or every spell they cast they have to pay a price to a demon, or something. Its said more than once that really powerful wizards and witches can do wandless magic or even do magic without saying the spells. Other examples include alohamora and colloportus, reparo and diffindo, accio and depulso (learned but not named in-series, as I recall), etc. Isnt that glove from the Aladdin TV series? They will be, Time and Space, Light and Darkness, and Mind and Body. Spellcasters cant blow up planets, because obviously that would take too much energy. Vibrations function is fundamentally the same as electric signals in the brain, in that there are millions upon millions of different signals being sent and working together to achieve something, even something as simple as moving your arm. Since there are clear rules in the Harry Potter series, we dont wonder why Harry doesnt just make up an all-powerful spell. Other limits include magic types (fire versus water for example), power restricting energies (magical or other), bodily energies (lack of food/sleep/etc), skill level, curses and much more, most of which will again depend on your story universe. Learning about one doesnt give a better understanding of another. Many receive horrible mutations, the nanites only know that they are to better humanity but they have no notion of what being a human means, some are physically melded into grotesque shapes, some lose their minds becoming like feral beasts. It does, although thats what I want to do. Relocating energy (in telekinesis or telepathy) is, however, less of a problem than dissolving a body and recreating it at another place, to its not the same as full teleportation. Korra did it but that was more so of Avatar state then an Airbending technique. So this sentence: Whether with words, gestures, complicated rituals, or just pure thinking, the idea that someone can control reality with their mind is at the base of every magical system. Feats of telekinesis should leave your characters a little exhausted the more energy needed, the higher the exhaustion. They instead study the laws of nature and learn to manipulate them. Ive been working on a magic system in my head, but would like help on a few things. Bewitchment Grenade-- This bomb emits a gas that causes hallucinations and lowered aggression in 99% of affected persons. Sounds right to me). Most priests wouldnt be any more concerned with gods than the average person. document.getElementById( "ak_js_1" ).setAttribute( "value", ( new Date() ).getTime() ); Become a patron and chat with us on Discord. Hydro (water) Here are some examples of magical sources: In Percy Jackson & The Olympians by Rick Riordan, magic comes from the gods. If spellcasters can run out of magic, itll be easy to put them in a tight spot when you need to. There are two types of magic systems: hard magic systems and soft magic systems. Been developing a magic system for a story of mine thats in its early development stages. So I know a few things. Check out my other generators Could you perhaps link the tides and the moon? The term magical effects refers to the ways in which magic influences and alters the world around it. That means that divine intervention is a possibility (a deus ex machina in the true sense of the world), but theres no way your regular human MC can rely on it. A lot of magical effects can only affect creatures that are magic, or affect them much more strongly. Sorry, Im not quite understand this Could you please describe some spell example with such system? Ill give a quick(ish) rundown of the basic foundation that lays the groundwork that I have so far for the magic system, Ill go into more detail if anyones interested. Pushing themselves past their limit can lead to exhaustion and have them pass out, or in extreme cases, using up too much mana can kill a person through over-exertion. The job is dangerous. And thanks to Oren for asking the obvious question and fueling my train of thought. I just think that Sanderson hard-soft magic divide is much more useful for novel writers. :-), Thanks! Light? Most everyone is either a Conduit or an Interferer, and it is genetic. All magic is fueled by mana, a form of energy found in all living organisms. Just knowing how everything works can go a long way. Moon magic is cyclic in its strength, strongest during a full moon and weakest during the new moon, and is also weak during the day. Casting also generates colors based on how much power you drew upon to cast it. All three should work together to create the magic system. To do this, I would need to work out whether adding the sorts of new particles and forces needed for this scenario to what exists in real life can be done in some mathematically consistent way. I just replied to your last post, but about the different cultures have different ideas of what makes sense, the point about a rational system is that it must make sense to the reader. The only way around this that i can see is if killing Voldermort brought Hitler back to life. If you go with that, I really hope youll have a scene where your mage character (or one of them) sees the empty shells that older mages have become, their very last memory bargained away in exchange for a little power. Id love to hear more about what the magic can do. Decide on its tone. There are roughly two types of fantasy. Last limitation is that the caster has to concentrate on what theyre doing. The law of magic that makes it so you cant summon food out of thin air feels like something invented by JK Rowling for plot purposes, not the logical result of a different set of physics like in Avatar the last Air bender. The story looks like a fantasy story at first, with characters manipulating threads or ley lines. Otherwise, the humans world will fall apart. The other is one of my own magic systems, as I want to hear what others think about it, especially in terms of this article. Take Noethers Theorem for example. And after all of this, there are still problems of how the signals dont get mixed up when a lot of beings are around and why organisms havent already evolved impenetrable defenses against mind-readers and how the information is processed and how the telepath knows what to find. Paint can be collected from the surrounding area into your body and be channelled through your bloodstream. He exerts his own living will in opposition against the tendency towards balance. The source should give you an idea for how it might become available. However, understanding how magic can operate in fiction is key to ensuring that your magic system serves your story rather than undermines it. The first and probably most important aspect of magic is its source. Though after reading the Mythcreants article about the effects of high magic and how it might speed up industry, these two time periods might be much closer temporally. Earth and earthy minerals/materials (Since earth is firm, solid and tangible, and since man walks and sleeps on the ground, eats what the ground produces, and has a beneficial relationship with the earth, earth is easy to hold on to for longer periods of time, assuming you dont try to control too much of it at a time). Muggles are not going to have much luck oppressing wizards. But the curse also leaves behind a power that is unique for the person. Why can only some people do time magic or elemental magic? Although, I have made some changes. Plot-wise, yes. : I would point to Ancient Magus Bride as an example where you have both soft magic such as that used by both creatures of myth and the various magi, as well as the more grounded hard sort practiced by sorcerers. In the same way that you can learn to control your emotions, you can learn to control the magic that comes from those emotions. A staple magical element in The Way of Kings is the personification of human emotions and ideas into living creatures called spren. This article helped me go back to the basics and think about what the rules would have to be to make the magic make sense. In time cities arise around these safe harbors, and ever so slowly life begins again. Those affected will suffer from chronic pain, skin lesions, and become prone to violence; but they will also gain super human strength. We've covered the source, the wielders and they way they wield power, but we still need to cover one of the biggest factors of magic, which is the power itself. You need to place incense in a semi-circle in front of you, drink fresh blood, paint your face with the blood, and focus on the person youre looking for. The Way of King s is one of the most renowned fantasy novels to date. If you send out powers, your brain stays in one piece and in the same place. VINE DWELLER, based off of forest nymphs from folklore in design, moderate chance of getting medium to strong Eco magic, extremely rare chance to get weak magic of another Type as well. But these machines are still not quite able to understand what it means to better humanity; many still die, while those that survive have varying effects placed upon them (perhaps theres some genetic basis, idk). An elemental mage could probably use several elements, if they trained for it. If there are intelligent creatures with thought processes different from humans in your story, it would seem especially weird that magic must follow rules that conform to human divisions precisely. (somewhere I have a document outlining Philosophical associations between Elements). Specific effects include communicating with others, working together as a group, and riding inside the minds of others. All of the Aether and Souls stem from the Sephirot, and at the same time are all one and the same. Balance being an essential figure in most fantasy pieces, this works on many levels! Both are checked on periodically by officials after. For example, your magic is powered by emotions, which also means that your emotions, if they dont get a new power source (more emotion), will disappear over time. In the Harry Potter series by J.K. Rowling, wand magic is like language. Then I really thought about the setting and that would breakwell, everything. All those rules are allow to create literally any classic spell, except teleportation/portals. The Lord of the Rings is a low magic setting, but it is a high fantasy setting. Not sure what I mean? I just thought of something related to teleportation, however. Whether your source is limited or not is another important aspect you have to think about. I would say on a molecular level. Yes, that kind of priest would merely be concerned with problems with the locals, then their holy magic can be far more generic and not tied to a god. Eminently true and a tension-building moment to remind your readers that your heros magic depends on this very emotional energy that is at this point of crisis so much more likely to be BURNED OUT or at the very least, already at their maximum ability to deal with well, EMOTIONALLY even without the added stress of having to consciously Tap Into Them EVEN MORE to get them to the point of directed personal connection to the whole of your entire current being which is necessary to actually use them magically. If you make all of your spells fit together, you'll need less foreshadowing. In both these cases, its their clever problem-solving that saves them, not the power of the magic itself. Thats a larger imbalance. So there you have a source of energy for your telekinesis. If it was merely about Harry learning magic more of that logic would be needed. I was actually thinking of precursor aliens having set everything up, but that raises a lot more questions of motivation and the ability to remain undetected. Writing is given magical properties in many books, movies, and shows but the paper itself is rarely imbued with power. Easier than fire/heat and air/wind, but it takes training.). I dont like giving writers a formula for magic systems. Can a magic user be identified by their clothing, appearance, or some other distinguishing physical factor? Fantasy worldbuilding Magic systems Scifi worldbuilding Make Full-Time Passive Income From Book Sales FREE Creative Writer Class: How to Write & Publish a Fiction Book Taught by a Bestselling Author with YEARS of experience doing JUST THIS! Soft magic is vague, undefined, and enigmatic. Your body can hold a fixed amount of paint (This is the same for everyone but full capacity is rarely reached). Sanderson recognized that the hard magic system is a fashion, just like soft magic was before and this article doesnt acknowledge this. Magical effects will make a bigger impact on your readers if you use all five senses. If I knew that I could kill every jerk i know unapologetically and without remorse, and be assured that someone would be returned to life as a result of that action then whats stopping me from just killing indiscriminately all the time? Emotion-based powers arent impossible, just easy to do in a way thats ultimately unsatisfying. But magical things do have specific usesHarry writes essays on the uses of different plants in potion-making, for example. I have three ways to get magic, and four types of magic, and several races of dragon. How to Create an Eclectic Magic System For those who want casting to look or work a certain way, I created another method that starts with the casting and works backwards. This is what making sense means when it comes to magic. Some are carefully planned; others contradict themselves and lead to plot holes. Finally, there are magic uses who seem to draw magic from the earth itself. Before learning magic, a mage must first learn how to control their mana until they are capable of creating energy bolts and forming energy constructs. Each spell shortens their lifespan by an unknown number of years. But at extremely high levels (Demi god level) the breeze might be enough. They have to learn magic to use it. You cant have conservation of energy violated by magic that also keeps the laws of physics the same over time, any more than you could have magic that makes 2+2=5 (unless, perhaps, the laws of physics in a universe dont involve Lagrangians, but then that would likely be a universe totally different from our own). Lastly is the effect both our Perceived World and the World of Energy have on each other. Otherwise you have near-god mages with no limits, who will hurt your story more than they will serve it. And if they can add energy to it, it sounds like they have to absorb that energy like a conduit. If you do, how will you split the elements between the two sides? Hard magic is one where the audience knows about the rules of magic, so it seems to me that your mention of convey[ing] the rules of your system might actually be referring to hard magic. The key thing to remember when creating a soft magic system is that it should create problems for your protagonists, rather than solving problems for them. Earth magic is strongest during Spring. Sorcerers tend to specialize in offensive magic except the temptresses, necromancers and spell book readers. Most of the time, magic hurts the protagonist rather than helping her, so the fact that we never understand the rules makes it even easier to empathize with her. Brandon Sanderson has a knack for creating alluring, original magic systems that immerse the reader into the fictional universe. His thoughts compiled into a fortified plan to use his skills to accomplish it, without leaving his comfortable chair. But in the real world, moving out of the way would be easier; since spells have straight paths when cast, why use magic when theres an easier non-magic method of avoiding harm? My magic system is tied in with a lot of the religions and science of my fantasy world. ie: Water beats Fire, but MY level 5 Fireball beats YOUR level 3 Ice Wall. If youre having trouble, you can say there are many more categories but knowledge of them has been lost. Im now looking for consistency. Perhaps broken fingers mean you won't be able to wield magic or maybe magic itself can block another form of magic or the magical energies within a person. These symptoms will get worse over time. For example, a character could bind own mind blob to a fire blob and basically then he will control those fire, while his body will unconscious. So you've figured out what the source of your magic is, but who and what can tap into that source? That means every control over them would be on the molecular level, manipulating the molecules and atoms to speed up or slow down or (for changes) change their configuration. A rational magic system is one where every spell is guided by the same metaphysical laws. Obscuring the rules is easier if the cause and effect can be separated by space and time or the cause isnt directly observable. In The Kingkiller Chronicle by Patrick Rothfuss, the magical discipline of Naming is a soft magic system. The more unique you make it, the more memorable your book will be for readers. This proposition sounds like a video game ideauseful in an environment where youre controlling an avatar with a remote/keys and dont have a quick reaction time. That would make Harrys choice important in two ways: hed be the odd one out who can control all powers (like the Avatar controlling all elements) and he would be limited in what he learns to control by the house he chooses. I hope this is a reasonable explanation. However, a few fantastical powers can go a long way toward livening up many fantasy stories. I suspect it might be possible; after all, there are plenty of mathematically worked out theories involving new particles and forces, but Ill have to do quite a bit of research. A combination of both is also perfectly possible and used a lot. This has been extremely helpful! actuallydragon glass is NOT made from dragon fireits just some rock that forms naturally: obsidian. Fire born and living in constant motion, generating heat that is eventually extinguished, restoring the balance. They are infused with magic, its part of their genetic makeup. An explanation for the seasons has its roots here as well. As mentioned, Im still working on the plot details, but I was thinking the decrease in magic availability from protagonist 1s time to protagonist 2s time had to do with spirits withdrawing from the human world and not dealing with mages. Is magic kept secret in your story world? Well, your protagonists will use magic to solve some of their problems. The willpower to make changes, no matter what kind of powers or tools are needed in addition. Maybe they are all for structural integrity, without them the world explodes outward into the vacuum of nothingness. Offensive like elemental magic and short time manipulation magic etc. Nevertheless, you will always introduce something which, as far as we know, does not exist in reality. Or does it speed up molecules/atoms to heat up an object (if we have mostly realistic world)? Honestly, I cant think of a reasonable or cohesive cap on what it can do so I hope the limitations will balance it out. 1. Magic source description generator This description generator will generate a fairly random description of a the way magic works in a random world. High Fantasy and Low Fantasy. Something as seemingly insignificant as a casting time thats five seconds longer has a huge impact on whether mages can handle unexpected problems. Thats not a rational system, because theres no understandable rules to it. You neednt appropriate any that have extant adherents, of course, but looking at what people believe can be a touchstone for how an invented system of magic could work. Certainly using more types adds complexity that might be a burden in shorter stories, but I think you could start with the type of thread that is most prevalent, and explain more rare threads as the story progresses. Since the universe as a whole tends towards entropy, where this world uniquely tends towards balance, fire doesnt always behave as expected), Water in its various forms (liquid, gaseous, solid; in redistribution it will always revert to its most common form in nature, that of liquid. Used by the Matrix and Mage: The Ascension, some magic systems are based on the idea that reality is more malleable than it seems, allowing some to bend it out of shape. A dwarf named Keti seeks a company of adventurers to steal a powerful arcane device from a rival. Want an offline version of this generator with editing, printing and saving? Basically, all magic in the world draws power from six Primals, vast entities of the natural world: the Sky, Sun, Moon, Earth, Ocean and Stars. Once you master the flow of paint in your body you can change your appearance temporarily. Dryads are usually depicted as tree spirits, or tree nymphs. The Taran movie also would provide examples for limits through the source with both the magic kettle (stops working when a living thing is sacrificed) and the crystal ball which doesnt work for the villain for some reason, although its owner does well with it.

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